Document Type
Article
Abstract
This article discusses several early modern Spanish and Portuguese texts that describe Afro-Iberians’ festive and confraternal practices in the sixteenth, seventeenth, and eighteenth centuries. While scholars have contended that the early modern Iberian states and church used conversion and confraternities, or lay Catholic brotherhoods, to integrate Afrodescendants to Iberian society, by linking Afro-Iberians’ festive practices to their confraternities, the article contends that these texts underscore how Afrodescendants adapted their African cosmologies and festive customs in the diaspora, rather than totally assimilate to Iberian culture. The article also triangulates Afrodescendants’ festive practices in Europe, Africa, and the Americas, suggesting that Afrodescendants thought of the diaspora as an imagined community.
Recommended Citation
Valerio, Miguel A.
(2020)
"Black Dancers and Musicians Performing Afro-Christian Identity in Early Modern Spain and Portugal,"
PALARA: Publication of the Afro-Latin/American Research Association: Vol. 24, Article 12.
DOI: https://doi.org/10.32855/2639-1295.1134
Available at:
https://mavmatrix.uta.edu/palara/vol24/iss1/12
Included in
African American Studies Commons, Africana Studies Commons, Latin American Studies Commons, Latina/o Studies Commons