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Journal of Texas History

Abstract

This essay surveys the national Pioneer Woman statue movement of the early twentieth century to set the statue in Denton into historical context while it analyzes the explosive, nationwide controversy occasioned by the 1936 Texas Centennial’s proposal to place an unclothed pioneer woman sculpture at Texas Woman’s University. It provides a Texas case study with national implications regarding how widely held genderized viewpoints in cultural memories during the 1930s influenced public art. It recounts what can happen when those memory-based expectations fail to be met, while it also indicates how the historical memories underpinning commemorative public statuary can change over time.

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